Elia Raza

Elia Raza is a content writer and online commentator who operates a personal website at eliaraza.com under the tagline "Writer By Choice." His expertise spans writing, entertainment, news, technology, and opinion pieces on various topics. He describes himself as someone who sits at the crossroads of curiosity and cultural commentary — a creative writer who lives at the intersection of curiosity and commentary, decoding entertainment and tech trends driven by personal opinions. Professionally, Elia Raza is a content writer specialized in content structure who is passionate about sharing his opinions on trendy topics, especially in education, art, and bizarre subjects, with over four years of experience in creating engaging and innovative content. His byline appears on a variety of digital publications, including Medium, where he maintains an active profile, as well as websites like WiseToast and GrowPakistan, suggesting he contributes to lifestyle, pop culture, and Pakistani-focused content platforms. His writing tends to blend personal voice with trend analysis. For example, he has authored pieces ranging from quirky science explainers — like an article exploring how, after spending countless hours as a child glued to Animal Planet, he developed a fascination with crocodiles and alligators, leading him to write about their special characteristics not common in humans and other animals — to internet culture deep dives, such as breakdowns of the Mike Wazowski meme, which came into existence with fan edits of Mike and James P. Sullivan (Sully) from the Pixar film Monsters Inc. He also writes celebrity and regional culture features, including roundups of the most followed Pakistani celebrities, covering actors like Ayeza Khan, Feroze Khan, and Sajal Aly, along with musical icons like Atif Aslam and Ali Zafar. In short, Elia Raza is best understood as an independent digital content creator and opinion writer — not a celebrity or public figure in the traditional sense — whose work focuses on entertainment, technology trends, pop culture, memes, and offbeat educational topics.

Art & Entertainment Editor

Art & Entertainment Editor

Elia Raza is a writer and entertainment journalist with 4+ years of experience turning trends into stories that go beyond the obvious. His work explores film, art, music, celebrities, and the people shaping popular culture, blending thoughtful observation with a sharp editorial voice. With a focus on authentic storytelling, he aims to bring audiences closer to the stories behind the headlines.

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More from Elia Raza

MusicAUG 17, 2026

15 Most Popular Pakistani Singers Whose Voices Defined a Nation

Elia Raza
An artistic, high-contrast collage rendered in vibrant shades of lime green, dark green, and white features prominent Pakistani singers and musicians arranged across a horizontal layout. In the foreground, five musical artists are shown from the waist up against a background layered with faint, stylized images of other performers and instruments beneath the large, bold, cutout text "SINGERS" spanning the top. From left to right, a bearded musician wearing a dark vest passionately plays an acoustic guitar, followed by a man with a mustache singing into a microphone. At the center, the iconic Qawwali maestro Nusrat Fateh Ali Khan sits cross-legged in a traditional pose, one hand raised expressively while singing in a white kurta and dark vest. To his right, an older gentleman in a white outfit sits behind a microphone, gesturing with his hands, while on the far right, the legendary female vocalist Madam Noor Jehan stands elegantly behind a vintage microphone adorned. Edited by Awais Shaukat for PakistaniArt. Famous Pakistani singers are vocal artists from Pakistan who have achieved widespread domestic and international recognition by mastering a diverse spectrum of musical traditions, ranging from ancient devotional genres to modern global pop. This distinct musical community includes legendary masters of classical Ghazal and Sufi Qawwali, who use rigorous vocal training and spiritual poetry to captivate audiences worldwide, alongside visionary pop and rock pioneers who revolutionized the South Asian music industry by blending traditional Eastern melodies with Western electronic beats. Additionally, the definition encompasses versatile playback singers whose tracks drive the commercial success of cinema and television dramas, as well as a rising generation of contemporary indie artists who fuse classical roots with modern hip-hop and electronic subgenres to achieve viral global streaming success. Collectively, these artists are defined by their profound cultural impact, technical vocal prowess, and an enduring ability to bridge Eastern heritage with contemporary global trends.
ArtAUG 14, 2026

What Is Pakistani Truck Art, and Why Does It Matter More Than Ever?

Elia Raza
Truck Art in Pakistan is a world-renowned, multi-sensory folk art phenomenon that transforms heavy cargo vehicles, long-haul buses, and local rickshaws into hyper-saturated, moving galleries of cultural history and personal identity. Dating back to the 1920s when British-imported Bedford trucks first began dominating local transit, the craft initially served a purely functional purpose, forcing transportation companies to paint distinct brand logos so that illiterate cargo handlers could quickly identify vehicle ownership. Following the independence of Pakistan in 1947, this utilitarian marking system rapidly blossomed into an aggressive creative competition, expanding throughout major transport hubs in Karachi, Lahore, Rawalpindi, and Peshawar as drivers spent fortunes—often equivalent to two years of hard-earned salary—to turn their vehicles into a physical "home away from home". Every single square inch of a traditional truck is densely layered by a guild of highly specialized artisans, including blacksmiths who forge steel chassis extensions, carpenters who carve the iconic towering Taj (crown) above the cab, and master painters (Ustads) who work entirely freehand to apply hyper-vibrant enamels and intricate Chamak Patti (reflective sticker mosaics) that burst into a dazzling, neon-like glow under high-beam headlights on pitch-black mountain passes. The complex visual vocabulary painted onto these metal panels functions as a rolling mirror of Pakistani society, juxtaposing talismanic symbols like giant human eyes to ward off the evil eye (Nazar) with majestic wildlife like falcons or tigers symbolizing speed and ferocity, pristine landscapes of alpine lakes, and portrait murals dedicated to legendary Sufi saints, military heroes, or pop-culture icons like Nusrat Fateh Ali Khan. Furthermore, the art transcends the purely visual medium by engaging the sense of sound; heavy iron chains lined with dozens of small brass bells hang low from the bumpers, creating a rhythmic, unmistakable jingling chime that echoes down the Karakoram Highway long before the vehicle itself comes into view—a feature that famously prompted international observers to affectionately dub them "Jingle Trucks." Bridging the gap between a grueling labor industry and high-concept aesthetics, this unique artistic tradition has effectively broken out of its highway origins, evolving into a celebrated global sub-genre that now influences international street art, modern interior decor, commercial aviation livery, and high-fashion runways across the globe. Design by painter and designer, Awais Shaukat, who founded Pakistan's first art publication, PakistaniArt.
ReviewsAUG 2, 2026

Brand New Day is The Best MCU Spider-Man Movie, But...

Elia Raza
An stylized, graphic comic book illustration showcases Spider-Man mid-leap against a vibrant, purple-hued background with a half-tone pattern. In the center, Spider-Man is depicted in a dynamic, crouching aerial pose, cut out with a thick white border that separates his red-and-blue suit from the background. His suit features the classic webbed pattern and prominent white eye lenses. In the lower half of the image, the large, stylized 3D text "SPIDER-MAN" is rendered in a metallic blue, with the subtitle "BRAND NEW DAY" printed below it in a clean, white, sans-serif font. The background contains faint, layered imagery of cityscapes and a masked figure, all rendered in monochromatic shades of purple and blue with a distinct retro comic printing dot texture. Collage illustration by Awais Shaukat for PakistaniArt.
MusicJUL 31, 2026

How Did Music in the Renaissance Differ From Medieval Music?

Elia Raza
How Did Music in the Renaissance Differ From Medieval Music?. Key differences between Medieval and Renaissance music, from the rise of polyphony and new instruments to secular compositions and music printing.. Imagine there is a monk singing in a room without any instruments, and in another room there are four or five people singing a song together. The difference is clear between them. The monk will sing just one line of melody drifting toward the ceiling, and others are layering the song into something that sounds almost like a conversation.
QawwaliJUN 29, 2026

“Bhala Howa Meri Gagri Phooti Re” By Kabir Das

Elia Raza
An opaque watercolor and ink painting on paper depicts a lively courtly gathering within a white-walled terrace or open courtyard. On the left, a bearded ruler with a prominent mustache sits cross-legged on a large, low, patterned cushion supported by red bolsters. He is dressed in a translucent white jama robe, an ornate red and gold turban, and fine jewelry as he looks toward a performance. Behind him, a standing attendant in a green gown holds a fly-whisk, while in front of his platform, two young boys sit on the floor, one with hands pressed together in a respectful gesture. In the lower-left corner, three male courtiers in turbans sit on the ground with their backs partially turned to the viewer.The right side of the painting centers on the entertainment, where two female dancers perform; one stands elegantly in a yellow and green dress, while another spins dynamically in a pink outfit. They are accompanied by a tight cluster of five female musicians on the far right playing traditional instruments, including a stringed tanpura and a small dholak hand drum. The architectural setting features a white wall adorned with small rectangular niches containing red decorative vessels, alongside an open green doorway on the far right. In the foreground between the ruler and the performers, a careful arrangement of offerings is spread across the floor, featuring small golden containers, a lotus bud, and fresh fruits like oranges and pomegranates.
Film & TVMAY 19, 2026

Cannes 2026 Got Wild at the amFAR Gala and Nobody Held Back

Elia Raza
The 2026 amFAR Gala at Cannes delivered a chaotic, star-studded night of performances, bold fashion moments, and Riviera afterparty energy.

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